I’m learning Spanish. I’m just beginning, but I’m quite pleased with my progress so far. A little bit each day, and this time next year, I’ll be able to ask where the bank is, order a cup of coffee with no milk, and tell people to seek independent legal advice when being offered a publishing deal with a subsidiary of a record label.
The system I’m using is called Duolingo, which has all sorts of things to recommend it. It works on written as well as spoken Spanish, it’s online, you learn at your own place, and it’s completely free.
The reason it’s free is because one of the side effects of learning the language is that you end up translating pieces of text as you go along, and those pieces of text are real world web content. The aim of the site is to use language learners to eventually translate the whole of the internet into as many major languages as possible.
It’s a really inspiring project – and well worth watching the video (above) in which they guy who invented it explains how he came up with the project.
As you may have worked out by now, I’ve been working on a book that’s available for purchase as it’s being written.
I’ve already had some lovely feedback about Music in the Digital Age (and some people have already pre-ordered the audiobook). So I started to think about whether there was anything else that would make it a distinctively “digital age” product.
And then it occurred to me. It’s not just the Digital Age – it’s also the Global Age.
I’ve approached some friends who work in a range of connected fields (independent music, education, media and so on) who have as their first language something other than English. Some of them have kindly agreed to translate the book so that I can release other versions in the same way that I’m releasing the English one:
1) as a work in progress;
2) with regular updates;
3) as a pay-what-you-want download.
And so then I got ambitious, and wondered how many languages it could simultaneously be written in?
I’m aiming for 25. Twenty-six if you also count English, which is the version I’m doing. I might even be tempted to go for thirty.
I'm an author of books about technology, culture, music and radio. I'm also an award-winning broadcaster and filmmaker, a public speaker and lecturer, record producer and festival director. I am closely following developments in emerging technologies and the cultures and ethics surrounding them, and my projects typically focus on issues of justice, inclusion, and sustainability.
Most of my work involves surrounding myself with incredibly smart and talented people who would have no other reason to ever be in the same room as each other. That's when amazing things happen.
I tend to talk a lot about music (often jazz-adjacent and particularly on vinyl, but also playlists and mixtapes). I'm enthusiastic about food and cooking, the intersection of art and science, new technologies, vintage technologies, education, social progress, silence, innovation, narrative, data commons, culture, sound art and the spoken word. This blog will continue to reflect those diverse and shifting enthusiasms. I may also digress.
I'm from Tāmaki Makaurau / Auckland in Aotearoa New Zealand, I have Scottish ancestry, I've spent a decade in the south of Birmingham UK, and another in a forest in the north of Sweden.
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