I bought the new Souncsci album on vinyl from Bandcamp yesterday. Five minutes later, I received an email from DJ Cro saying “I’ll drop it around on my way home from work”.
It just so happens that Cro is a friend of mine, runs the Crate Escape record label, and lives pretty locally. It was nice to see him as usual, and we had a smoothie and a catch-up.
Ridiculously great sounding record. Mastered to vinyl straight from reel-to-reel. Double album on heavy vinyl. About 12 minutes per side, so the signal-to-noise ratio is spectacularly good. Noticeably better than the digital (and I have the lossless version).
In May this year, I was in Medellín, Colombia for Un-convention. As part of that we travelled around the city seeing some of the great work that young community leaders were doing through hip hop culture.
These guys are amazing. They run after-school programmes and community projects teaching kids how to rap, break-dance and do graffiti art, and this helps keep them off the street and away from the drugs, the gangs and the violence. They also bring attention to the problems in the barrios and spread a positive message through their lyrics.
I heard today that on Thursday last week, one of those community leaders was shot dead. The newspapers say that it was in retaliation from the gangs for involvement in these sorts of projects.
I know several of the people we met there have been threatened with this kind of violence, and three young cultural leaders have been killed in the past year like this in Medellín.
I filmed the video above in Comuna 13, just after we had played a game of football with these guys. It’s the home of the Elite Red de hip hop, of which the ESK Lones crew is a part. Marcelo Sánchez Pimienta, aka MC Chelo is the rapper with the toddler in his arm.
My deepest sympathies and my utmost respect go to his friends and colleagues, family and community, many of whom have vowed to keep up the great work Chelo helped start in what was once known as the most dangerous neighbourhood in the world, and what is slowly being turned around with the help of projects like these that use music and culture to improve people’s lives – despite the threats, and in the face of sickening tragedies such as this. These guys are all inspirational and this is a great loss.
To say a trip was “life-changing” is an awful cliché. But I’ve been trying to think of other ways to describe my time in Colombia, and I keep coming back to that one phrase as a fair and accurate description. I met such inspirational people, went to such challenging places and saw such incredible things, I won’t be the same again.
Maybe not everyone will notice the difference. Maybe nobody. But a different Andrew Dubber came back from Colombia than left the UK just over a week ago.
I had worried at first whether it would be disappointing to return to the UK and go ‘back to normal’ after having such a great time, but as the lessons of Medellín sink in, I’m starting to realise there isn’t any ‘back to normal’ any more. I have things to do and normal’s not going to get much of a look-in. I’m not disappointed to be back. I’m excited and I’m energised.
I’ll tell you a bit about what happened there, and then I’ll tell you what I plan to do about it.
I am really loving this. Received an email from one of the band members and really liked the description, so I thought I’d give the World Circuit vinyl a rest for a minute and have a listen. Really glad I did.
It’s “experimental hip hop for folks who are no longer glued to one genre or sound and have no problem listening to Snoop Dogg followed by Tegan and Sara followed by LCD Soundsystem.”
That would be me then.
NB: Don’t listen if you discriminate between ‘good’ words and ‘bad’ words. There are some of the latter in here.
Friends of ours from round these parts, Munchbreak have a new song that’s sort of a Brummie update of the Disposable Heroes of Hiphorisy’s ‘Television, The Drug of the Nation‘.
Really brilliant bunch of local guys making some great music. Wish they were on Bandcamp… but they do have a CD for sale.
I'm an author of books about technology, culture, music and radio. I'm also an award-winning broadcaster and filmmaker, a public speaker and lecturer, record producer and festival director. I am closely following developments in emerging technologies and the cultures and ethics surrounding them, and my projects typically focus on issues of justice, inclusion, and sustainability.
Most of my work involves surrounding myself with incredibly smart and talented people who would have no other reason to ever be in the same room as each other. That's when amazing things happen.
I tend to talk a lot about music (often jazz-adjacent and particularly on vinyl, but also playlists and mixtapes). I'm enthusiastic about food and cooking, the intersection of art and science, new technologies, vintage technologies, education, social progress, silence, innovation, narrative, data commons, culture, sound art and the spoken word. This blog will continue to reflect those diverse and shifting enthusiasms. I may also digress.
I'm from Tāmaki Makaurau / Auckland in Aotearoa New Zealand, I have Scottish ancestry, I've spent a decade in the south of Birmingham UK, and another in a forest in the north of Sweden.
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