“Things have changed,” said Felipe Altenfelder as we pulled out of the airport carpark. “You’ll notice some differences.”
I’d arrived in São Paulo to start work on a documentary film about Fora do Eixo – the network of independent music collectives I’d become fascinated with over the past few years. This is a group of mostly young people spread around this continent-sized country, who have organised their own separate economy – putting on festivals, distributing records through live gigs, and using principles of solidarity economy, communal living and political activism in order to make independent music sustainable.
For someone like me, this is fascinating stuff.
“We’re still doing the music, of course…”
That’s a relief. I’d just flown for 11 hours and spent thousands of someone else’s pounds on getting this far.
“It’s just that now we’re quite busy with the revolution.”
He said this so matter-of-factly, I wasn’t sure I’d heard him correctly. Turns out I had. They are quite busy with the revolution.
I know a great many of my friends will be celebrating the death of a tyrant tonight, and frankly – I don’t blame them. I don’t need to go into detail the damage and despair Margaret Thatcher caused in people’s lives in this country. There are few examples in history of a leader so committed to the ruin of that nation’s own citizens.
However, I don’t share their relief and I can’t participate in their joy. Not just because I wasn’t living here at the time of her reign or because I didn’t really experience the effects. Trust me when I say that the architects of financial policy in New Zealand were in thrall to Thatcherism, and it took its toll there too.
But that’s the problem: Thatcher may be dead, but Thatcherism does not require Thatcher.
Today, a frail, old human being died. But honestly, I don’t give a shit about not speaking ill of the dead – and certainly not in this particular instance. This Comment Is Free article by Glenn Greenwald sums up my perspective on that way more eloquently than I ever could. Britain suffers from a surplus of politeness and a deficit of kindness and care, and no more than right now.
Thatcher can go to hell. She personally and wilfully caused massive social harm and divided a nation through greed and soulless enslavement to an ideology of selfishness. She enabled and supported despotic regimes. She started and campaigned for unjust wars. She directly caused poverty, violence, death, hatred, suicide and despair. She was not simply a tyrannical leader, but she was the architect, the vessel and enactor of that particular flavour of evil.
But that evil is alive and well and living in Westminster.
I understand the closure and sense of justice that will be felt by those who welcome Margaret Thatcher’s disappearance from our world – though many of the people I know have simply waited too long. They’re tired and they’ve been ground down by the relentless persistence in our culture of everything she stood for.
This is not about being heartless that an elderly woman has passed away. Thatcher was and is rightly despised. This is about the fact that nothing concrete is changed by her death. It’s purely symbolic at this point. And while symbolism is important in people’s lives – it’s not real and lasting change.
If anything needs to die, it’s the Thatcher project. The idea that people are less important than highly localised prosperity. That public services and social support for those who need it are a drain on society, and corporate tax evasion and high-risk speculative banking practices, fiddled expense accounts and multi-million dollar bonuses are the merely the cost of doing business.
We waited for Thatcher to die. We need to actively kill Thatcherism. We need to punch it in its stupid, selfish, spoiled and smug face, then hit it with hammers and stab it with screwdrivers until it’s truly, properly dead with no chance of returning.
THEN let’s party.
In the meantime, I can think of no better collection of words to mark this occasion, than these spoken by Pete Postlethwaite in the film Brassed Off.
I wish it had been this kind of unnecessary and tragic despair that had died today. But her cruelty endures in the corridors of power and Britain is sick with her legacy. Whether the woman is breathing or not is, I think, almost entirely immaterial at this point.
I’m going to be speaking at Un-Convention Voices at the Roundhouse in London on Saturday the 11th of February.
It’s a joint event running in parallel with The Museum of Modern Art in Medellin, Colombia, that features a day of panels, conversations, debates, performances and interactive sessions on the theme of political voices and social messages in hip hop, spoken word, social media, art and culture.
It’s an impressive line-up: presenters include Kate Tempest, Soweto Kinch, Gilles Peterson, Blak Twang, Steve Ignorant, Roxxxan and more – with performances from Cassette Boy, live hip hop from Colombia and an exhibition of The Art of Protest, including works by Banksy, images from John and Yoko’s bed-in, and lots more besides.
Panic on the streets of London
Panic on the streets of Birmingham
I wonder to myself
Could life ever be sane again?
Panic – The Smiths (1986)
There’s a lot being said on the internet about last night’s escalation of riots in London and Birmingham (and spreading). So much so that blogging about it feels like repetition and empty rhetoric.
But there’s a lot of things that need saying, at least to clear my head about it, and so that I don’t get into arguments on Twitter. It’s a fantastic medium for all sorts of things, but it simply doesn’t have the space to accommodate the necessary complexity that reflection and analysis about events like these requires.
And I think that’s the observation I’d like to bring to this: there isn’t any simplicity here. No simple causes and certainly no simple solutions.
They’re having one of those ‘traffic-free’ cycling events in Birmingham today. They’re designed to get people on bikes and enjoying a car-free city for an afternoon. Which is cool. But it doesn’t fix the problem, it sort of absolves the people who should fix the problem, and it prevents them from actually having to address it properly.
The problem is that Birmingham is built for cars. It was a deliberate strategy, but it was not a sustainable one. There are some cycle lanes in the city, but most of them also happen to be bus lanes or places where cars can park – or they stop and start along busy roads and weave in and out of pedestrian areas.
In other words, they’re worse than useless, and encourage dangerous cycling. It’s generally safer to avoid Birmingham’s cycle lanes altogether, which means that motorists and pedestrians alike are always frustrated and angry with the few cyclists brave enough share the streets with them.
Despite appearances on this one day of the year, Birmingham City is openly antagonistic toward cyclists.
After this election, I am retiring from speechwriting. I’ve written you a barnstormer of a speech that is my swansong, and I think it’s my masterwork.
As long as you nail the first minute and a half, I think this will be the most important speech of your career, potentially a turning point in the campaign, and – at the very least, will be what you are remembered for.
This is for YouTube, of course. We want this to go viral. But it’s also for political television shows and soundbites 10, 20 and 50 years into the future.
It’s your legacy. But you have to get it right. So I’ve written you this handy 10-point crib sheet that will help you nail it.
I'm an author of books about technology, culture, music and radio. I'm also an award-winning broadcaster and filmmaker, a public speaker and lecturer, record producer and festival director. I am closely following developments in emerging technologies and the cultures and ethics surrounding them, and my projects typically focus on issues of justice, inclusion, and sustainability.
Most of my work involves surrounding myself with incredibly smart and talented people who would have no other reason to ever be in the same room as each other. That's when amazing things happen.
I tend to talk a lot about music (often jazz-adjacent and particularly on vinyl, but also playlists and mixtapes). I'm enthusiastic about food and cooking, the intersection of art and science, new technologies, vintage technologies, education, social progress, silence, innovation, narrative, data commons, culture, sound art and the spoken word. This blog will continue to reflect those diverse and shifting enthusiasms. I may also digress.
I'm from Tāmaki Makaurau / Auckland in Aotearoa New Zealand, I have Scottish ancestry, I've spent a decade in the south of Birmingham UK, and another in a forest in the north of Sweden.
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