If, for some reason, you’d like a copy of my CV, here it is:

Download PDF file

That document is current as far up as end of January 2008. Below, I’ve started to list things have happened since that date. This is just to scrapbook the things that I’ve done straight out of my calendar, so that I remember to put them in when I next rework my CV to bring it up to date again. Naturally, not everything here is CV-worthy.

Latest additions: Mar 2008

Consultancy for The Disc Is Dead, Edinburgh
Consultancy for The Music Game
Online Radio Listening Research Project, BBC
Consultancy for The Birmingham Music Network
Consultancy for Ian Wallman, Producer
Consultancy for Commercially Inviable Records
Consultancy for Jam Jar Entertainment
Presentation at Tranzitions Seminar, South Birmingham College
Presentation at Leeds International Jazz Conference
BBC/AHRC Knowledge & Networking Event, Bristol
DJ gig at Hare and Hounds, Kings Heath
Consultancy for Brownswood Recordings
Consultancy for Iron Man Records
Consultancy for Friendly Fire Music
Consultancy for Output Productions
Consultancy for Kate Michaels, Basel, Switzerland
Birmingham Bloggers Meeting, Digbeth

Feb 2008

Consultancy at Lo Recordings, London
DJ gig at Big Chill Bar, Shoreditch
Keynote Presentation at Musicians Union Seminar, Wrexham
Keynote Presentation for Lopend Vuur, Groningen, Holland
Presentation at AIM / Northern Edge Music event, Manchester
Presentation at by:Larm Festival and Conference, Oslo
Consultancy for Live!Revolution, Oslo
Consultancy for The Music Game, London
Established BCU Euro-Pace project with Veronica Holdings, Amsterdam
Valentines DJ gig at the Hare and Hounds, Kings Heath
Consultancy for The Disc Is Dead, Edinburgh
Consultancy for Jibbering Records, Birmingham
Consultancy for Iron Man Records, Birmingham
Chapters on Podcasting and Blogging published in The Alternative Media Handbook (Routledge)
Consultancy for Birmingham Music Network
Consultancy for Friendly Fire Music, Birmingham
Consultancy for Output Productions, Birmingham
Consultancy for Brownswood Recordings, London
Research Project at BBC Audio and Music Interactive
Four articles published in Computer Music Magazine special ‘Online Music’ issue